Guide Vivian Maier

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She was mentally ill, ruled by an impulse to collect or a smart talker with strong political views and a sense of humour. Siskel thinks the role of nanny may have suited her in some respects, sharpening her perspective as an observer. But he was troubled by the testimony included in the film of Inger Raymond, who describes Miss Maier as her governess from the age of five to Among more unpleasant memories, Raymond recalls Maier force-feeding her: "She would hold me down, she would shove the food in and she would choke me until I swallowed — and she would do that over and over again.

Such outbursts, combined with her isolation, estrangement from her family and what he perceived as hostility to men, make Joe Matthews suspect some trauma in Maier's own past and possibly abuse. It is sad as well as perplexing that the woman who had such a knack for capturing human moods and expressions in her photographs, and showed such tenacity and originality in making her work, should have passed her whole life without forming intimate relationships of her own.

In her last years she was a pitiful figure, often seen on a bench in a park, eating corned beef hash from a can. One day in , by now married and a mother herself, Sarah Ludington bumped into Maier in a fabric store, "I walked up to her and said 'Hello, Viv! She told me she was looking for a job and asked if I would hire her to take care of my babies. Ludington's reaction was shock — not at the proposal from a woman of 80, but, "I realised that after all these years maybe I would consider it.

With so many difficult and unusual creative people there are trade-offs. But she did what she thought was important. She offered me a lot and I guess in the end I'm not surprised that she had more up her sleeve.

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Threads collapsed expanded unthreaded. Loading comments… Trouble loading? Most popular. Slowing down and thinking about each shot means you will develop invaluable confidence as a photographer. Maier shot for no one but herself. Too many photographers take images in the hopes they will be commercial.

If you shoot with integrity and with a confident belief in your work, this will shine through and people will respond. Often times, the audience comes to you. Judging from her archives, Maier shot pretty much every day for forty years.

We all have a spare half an hour each day within which we can commit to creating images. You can shoot images on your way to work, on your lunch hour, on your journey to buy milk or during a leisurely stroll around the local park. The important thing is to always have your camera on you. Some of the most interesting images actually feature Maier herself, using her reflection in shop windows, car windscreens or even just her shadow. Rather than being simple selfies, these are Maier placing herself within the world she had committed to shoot.

They sit comfortably within her street photography images and are a powerful reminder of the woman behind the camera. Perhaps one of the greatest lessons we can take from the story of Vivian Maier is how crucial it is to make sure your work gets seen. Maier never knew how significant and influential her work would become because it stashed in boxes was hidden from the world. We live in an age of digital and social media meaning you have countless means to get your work into the public eye.

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She never made a full recovery, leaving behind an immense archive of work when she died in Compelled to learn more about the woman behind the lens, Maloof began to investigate the life and work of Maier, culminating in the Oscar-nominated documentary Finding Vivian Maier Untitled, n. Gelatin silver print; printed 20 x 16 inches.

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Self-portrait, Chicago area, June Chromogenic print; printed 16 x 20 inches. New York, NY, c. This is the first report on a two-part story revealing new research reported on Vivian Maier. Self-portrait, New York, Chicago, IL, n.

How to Shoot Like Vivian Maier | Photocrowd Photography Blog

Untitled, Fall, Gelatin silver print; printed 20 x 16 inches. Chicago, October Chromogenic print; printed 16 x 20 inches. Chicago, n.