e-book Carousel Déjà Vu

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  5. Managing Development Resources: The Use of Country Systems in Public Financial Management;
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  7. Jackie Rod. Even the freshness of youth is masked in this way, only bared necks or vulnerable female backs are exposed to view.


    The sense of strangeness is heightened by the dresses, which evoke another, earlier decade, appearing incongruous on the frame of a young girl whose body does not give off the excitement of dressing up and childishly play acting for the camera. The catatonic stillness and repeated, decisive moments of the Carousel series are clearly an artifice, but a deliberately elusive play act on the part of the artist.

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    Are the downcast and hair-covered faces to suggest modesty, or euphoria? Coils, dots, spirals, wheels and whorls; Paauwe turns the symbolic potential of photography over and over like a lover composing an undeliverable poem.

    Her romance with flesh and feelings is a fascination shared historically with artists from Inges to Matisse, and remains a compulsion with her contemporaries such as Kiki Smith. Photographs both mark and connect points across time, memorializing others and reinvigorating feelings held in suspension, like remembering a face recalled by a long forgotten valentine. Love and mourning, life and loss: both circulate through images and texts.

    Such connectivity is also to be found in the myths and theories that explain humanity and provide our understanding of nature, as well as being absorbed into academic disciplines from psychoanalysis to economics when birth is described as part of death, beauty found in ugliness, consistency reliant on instability, the void part of wholeness… Similarly we find contemporary and intertwined sensations, such as that of the unspoilt and the violated, the demur and despoiled, responses that circulate in our viewing of the Carousel images.

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