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She participated in the famous vis viva debate, concerning the best way to measure the force of a body and the best means of thinking about conservation principles. Numerous biographies, books and plays have been written about her life and work in the two centuries since her death.


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In the early 21st century, her life and ideas have generated renewed interest. One aspect of this transformation involves a potentially surprising feature of this period in intellectual and philosophical history. After all, Voltaire was arguably the most famous author in all of France, and one of the most celebrated in all of Europe, during various times in his long life. But this assumption, however reasonable it might seem, is false. She was famous. To answer it, many related questions about the creation of the philosophical canon in the late 19th and early 20th centuries must also be raised and answered.

It exhibited a detailed familiarity with the ideas of Newton and his followers, but also with Leibniz, Wolff and their new philosophical movement. As every student of eighteenth-century philosophy knows, from at least the time of the extremely popular and influential correspondence between Leibniz and the Newtonian Samuel Clarke , first edition , philosophers and scholars viewed the ideas of the two discoverers of the integral and differential calculus as reflecting fundamentally opposed conceptions of nature and of the methods to be used in understanding it.

In this way, the book presents detailed views concerning both topics that would later be considered part of physics, and topics that would later be considered part of metaphysics. For instance, the debate was picked up and cited by the young Kant in , in his very first publication. Three of the key images on our website are particularly striking in their symbolism. The portrait is based on another painting formerly attributed to Maurice Quentin de la Tour, and can now be found in the private collection of the Marquis de Breteuil.

Other copies of this painting exist and some appear online, but they may be erroneously identified as the original. According to Patricia Fara , this painting tells a tale of contradictions. On the other hand, she lived the life of a wealthy aristocrat, enjoying all the pleasures that the social life of eighteenth century Paris could offer. She did not shun the social and marital responsibilities appropriate to her sex and rank at the time.

Much like Cavendish in the previous century, she was also famous for her energetic personality, love of fashion and gambling, taste for extravagant costumes and expensive jewelry. The portrait reflects these two sides of her persona. Her head rests on her hand, a contemplative pose usually reserved for male subjects. The open book in the foreground shows geometrical manuscripts. The work presented five days of conversations in which a chevalier explained the latest scientific developments to a lady.

Although the woman lies in the center of the picture, she poses contentedly as the male figure explains something to her, his thumb and index finger pressed together as he makes a point. The engraving is packed with symbolism, as were many frontispieces at the time: they provided a powerful visual summary of the key arguments of a work. Above him, on the left, is the divine Newton, who sits atop a cloud and gazes down at the light ray emanating from the heavens.

Other elements of the picture include books on the floor, a library in the background, mathematical instruments such as dividers and set squares which were symbolic of natural philosophy and Freemasonry , and a pendulum and globe in the foreground. What story does the picture tell? A prominent interpretation is that the engraving symbolizes two conflicting elements. Fara, Patricia. Edited by Robert Walters and W.

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Oxford: The Voltaire Foundation. For biographical details, see: Judith Zinsser. Obviously, these terms have a somewhat different connotation in contemporary usage. By the next year, it had been translated into both German and Italian. The text is famous for discussing ideas that originated with G.

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Leibniz and Christian Wolff, and for using the principle of sufficient reason often associated with their philosophical work. But her main work is equally famous for providing a detailed discussion and evaluation of ideas that originated with Isaac Newton and his followers. That combination is more remarkable than it might seem now, since the ideas of Leibniz and Newton were regarded as fundamentally opposed to one another by most of the major philosophical figures of the 18th century. The translation remains the standard in French to this day. Although the catalogue lists this manuscript as bearing the date of , in reality it contains items from at least through National Library of Russia, St.

Petersburg, Voltaire Collection, Vol. IX: Principes de la Philosophie Naturelle, par M. Note : In , Dr. Fritz Nagel found this copy of the manuscript in Basel. This version contains numerous corrections and additions to the text. In Gessell published a translation. IV: de la Formation des Couleurs. Examen des livres du nouveau testament. Traduction de la Fable des Abeilles de Mandeville. Petersburg, Voltaire Collection, vol.

September, pp. December, pp. Gallica link to Paris edition PDF file. Oxford: Voltaire Foundation, D. Paris: Imprimerie Royale. Institutions de Physique. Amsterdam: Pierre Mortier. The title employs the old spelling of her name. Other scans available online, such as that from the British Library, are inferior.


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  • Venice: Presso Giambatista Pascali. Bruxelles: Foppens. Dortous de Mairan, Jean-Jacques. Lettre de M. Paris: Jombert. Leipzig: Bernh. Sur la question des Forces Vives, etc. Paris: Prault Fils. Google Books link to original from Lyon Public Library.

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    Lucca: Benedini. Bayerische StaatsBibliothek Digital link. Chicago: University of Chicago Press. Selections include Preface, and Chapters 1, 2, 4, 6, 7, 11 and Chapter 3 is listed as translated, but is not included in the edition. Paris: Chez Xhrouet. Jean Ecole 28, Abt. Paris: Gabriel Martin, J. Note : Complete edition. Sceaux: Jacques Gabay. Tome 8, pp. Paris: Les Belles-Lettres. Palermo: Sellerio. Discurso Sobre la Felicidad y Correspondencia. Edited by Isabel Morant Deusa. Discours sur le Bonheur. Paris: Edition Payot et Rivages. Acerca de la Felicidad.

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    • Princeton: Princeton University Press. With Some Unpublished Papers of Mme. Oxford: Voltaire Foundation. Trapnell, William H, ed. Paris: H. Petersburg, vol. The following six entries include material copied, without attribution, from her work:. The first two sentences of this statement first appear as attributed to France in the s, but the full statement is earlier attributed to William Feather , as quoted in Telephony , Vol.

      Une Vie, une Œuvre : Bergson (1988)

      Apparently an invention by Maurice Sachs ; see discussion in Quotes about Proust. Namespaces Page Discussion. Views Read Edit View history. In other projects Wikimedia Commons Wikipedia Wikisource. This page was last edited on 17 May , at By using this site, you agree to the Terms of Use and Privacy Policy. Les fondateurs du Fifth Avenue, M. Charles E. Bernard Valero Ambassadeur de France en Belgique. Eine Studie zu den deutschen Reformbewegungen in Architektur, Wohnbau und Kunstgewerbe im spaeteren Designing the 19 th century domestic Interior Paris, , 2 p.

      La providence a des voies surprenantes. Que de messages porte cette demeure! Mais il est deux autres lieux dont je souhaite dire un mot tant ils parlent aussi de la France. Ce palais est, pour tous ceux qui y travaillent et le font vivre, un outil exceptionnel au service du rayonnement de la France.

      Ce bel objet est aussi un bel outil.

      Anatole France

      Il est aussi ouvert aux visites neuf fois par semaine. Le dernier en date Camarade la lutte continue! Il est triste de penser que M.