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Naturally, the band never got anywhere and for decades barely anyone, bar the most obsessed, got to hear them.

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This album will not be varied enough internally for death metal fans but should delight power metal and classic heavy metal appreciators. Satanic Black Devotion might as well be a can of pureed, processed, sugar and salt added, preservative enhanced black metal TM. Imitating the style of later Gorgoroth and droning melodic black metal like Ancient or Marduk but with the chaotic approach of the first Krieg album, Sargeist is long on vocals and short on song construction.

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They hit on a few good riffs here and there and deliver those like Christmas presents, then repeat them ad nauseam. Most riffs show a tendency to cycle between symmetrical extremes and so fall into the same boring tropes as later hardcore did. Songs express nothing other than participation, and the inclusion of local band B- riffs alongside more developed ones leads the reviewer to wonder if the band has cribbed its best moments.

Several patterns are note-removed from essential parts of Gorgoroth songs, but without the strong buildup, the Christmas riff drops in as a sudden variation and not a culmination or enhancement. This album does better than most because the band keeps the energy high and is smart enough to use the same song structure again and again to present its few powerful riffs, but the result of this randomness is more of what black metal wanted to escape, not create.

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These we call arrogant instead of pretentious. For others, in fact for over Several albums later, it becomes clear these guys do better giving interviews on metal theory where they exceed almost all others than writing music. Lawless Darkness resembles the kids show at the circus where as soon as one act fades another takes its place in relatively random order with the goal being to distract the audience so they eat up more of that popcorn and cotton candy.

The album opens with dramatic violin, but then drops into disorganized metal music where riffs are joined through energetic flourishes of drum and Pantera-style bounce riffs. It is in fact comically random and empty of message. Presumably the ringmaster coems out and doffs his top hat and juggles live frogs somewhere in here to keep our attention but the music utterly fails to do so.

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Crafted in the style of Meshuggah rather than the metalcore it partially inspired, The Cult of Light creates rhythmic speed metal — similar to Prong, Exodus, Pantera and various proto-prog bands like Anacrusis and Supuration — which installs a jazzy bounce into the speed metal cadence. This approach creates problems in that it makes it difficult to pace together multiple riffs in the speed metal style because the rhythms either conflict or resemble each other too much to distinguish the riffs. Vocals are the post-At the Gates rant which aims to complete before the beat and then hold an open-throat growl like a ringing note.

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Underneath this album lies a heavy metal work pointed toward the art-rock sensibilities that graced the far edge of off-mainstream rock in the s, which means that despite the monotonic growl vocals the aim here is ultimately to set up a dense harmonic space which serves as the hook of the song and provides a space for contrast by other instruments.

Unlike most heavy metal bands, The Cult of Light prefer keyboards and what can only be described as aggro-mood-jazz leads which use repeated patterns to serve in more of a lead rhythm guitar role than pure lead. The band builds its songs in layers in order to create spaces for effect, then introduces dramatic changes led by vocals, resulting in a sense of a radio play unfolding before our ears.

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At the moment of that realization however one begins to wonder why bother with the adornments of style at all, since there is a shortage of arty heavy metal and an audience waiting for it. For example, you could use an image to link to us from your blog site, but don't even think about reproducing in part or whole for commercial use, and never under any circumstances without our watermark and a link to tshirtslayer.

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